Musical Balm 1: Where Light Still Shines

Best escape from the furor: music to lighten the soul

The last two news weeks have been saddening, maddening, frightening, sobering, and frustrating for those of a politically liberal or civil rights bent, or those simply with an inclination toward common decency.

After hearing of the Anthony Kennedy resignation from the Supreme Court, and hearing the reliably hypocritical Mitch McConnell promise to get Kennedy’s replacement installed before the November elections, I found myself bristling—all the more so to hear Democrats speaking at odds with each other.

I really needed an escape.  You too?

It then occurred to me how to calm the bristling mid-brain: music of a light, sunny, or soothing sort. But I wanted to add a twist to my customary Pandora stations, and found two in particular, the first thanks to NPR and the second thanks to my recollection of the most sunny of Beethoven’s sonatas. . . .

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Pianistic Thunder: Bossenbroek, Thomas, Beethoven

21st Century Classical Music Thrives, Thunderously
Elijah Bossenbroek

When Elijah Bossenbroek’s “I Give Up” obtruded on one of my usually tranquil Pandora background music stations, I was jolted, amazed, thrilled, thunderstruck . . . and secondarily subjected to a wave of nostalgia for classical piano music.

(My apologies to readers who do not usually warm to classical music, but I do urge you to give a listen to Bossenbroek and maybe the others if you like him. They are all short—the Beethoven is the longest at 6:47. They are best played loud; I advise donning headphones. )

Without further adieu, I recommend three YouTube videos of Bossenbroek’s “I Give Up”  (The title is a bit cryptic, but apparently has something to do with giving up the mundane and petty concerns that distract and clutter the soul.) Comments follow the videos.

(Addendum June 30: After listening to “I Give Up” about 70 times (literally!) I highly prefer OPTION THREE below (VikaKim), not just because of the visuals of her keyboard wizardry, which are great. VikaKim’s interpretation, especially near the end, emphasizes the most brilliant elements in a way that Bossenbroek’s himself does not.  (IMHO)

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